suspended above stands a mirror-clad box reflects the surrounding canopy<\/p>\n
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Casa Moro engages the forest without interrupting its continuity | image by Jonathan Paz<\/p>\n
courtyard at the core introduces light and ventilation to the interior<\/p>\n
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the vegetated roof conceals most of the house, blending into the landscape<\/p>\n
\n<\/div>\n<\/div><\/div>\n\t\t<\/p>\n
open-plan layout is organized around a central sunken courtyard | image by Jonathan Paz<\/p>\n
voids are shaped through the interplay of solids and surfaces<\/p>\n
wooden volumes inside define zones for living, rest, and service<\/p>\n
the rooftop doubles as an accessible green terrace | image by Jonathan Paz<\/p>\n
environmental continuity achieved through site-sensitive design<\/p>\n
formal restraint and landscape integration define the design approach<\/p>\n
Casa Moro proposes architecture as a response and not an addition to nature<\/p>\n
<\/p>\n
project info:<\/strong><\/p>\n <\/p>\n name:<\/strong>\u00a0Casa Moro<\/p>\n architect:<\/strong> Taller Arquitectura Mar del Plata (TAM)<\/a> | @tam.arquitectura<\/a> photographers:<\/strong> Jonathan Paz | @jony.paz<\/a>, Obra Linda<\/a> | @obralinda_<\/a><\/p>\n <\/p>\n <\/p>\n designboom has received this project from our\u00a0<\/i>DIY submissions<\/i><\/span><\/a>\u00a0feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers\u00a0<\/i>here.<\/i><\/span><\/a><\/p>\n \u00a0<\/p>\n edited by: christina vergopoulou | designboom<\/i><\/p>\n<\/article>\n The post casa moro’s green concrete mantle follows natural slope of forested terrain in buenos aires<\/a> appeared first on designboom | architecture & design magazine<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":" Casa Moro integrates into existing natural void shaped by trees […]<\/p>\n","protected":false},"author":1,"featured_media":988,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"_links":{"self":[{"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/posts\/986"}],"collection":[{"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/comments?post=986"}],"version-history":[{"count":3,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/posts\/986\/revisions"}],"predecessor-version":[{"id":1001,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/posts\/986\/revisions\/1001"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/media\/988"}],"wp:attachment":[{"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/media?parent=986"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/categories?post=986"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/tags?post=986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nlead architects:<\/strong> Guillermo Elgart, Juan Albarenque
\nlocation:<\/strong> Barrancas de San Benito, Mar del Plata, Buenos Aires, Argentina<\/p>\n