{"id":2911,"date":"2025-10-03T09:50:56","date_gmt":"2025-10-03T09:50:56","guid":{"rendered":"http:\/\/www.macdolphins.org\/?p=2911"},"modified":"2025-10-06T10:14:25","modified_gmt":"2025-10-06T10:14:25","slug":"circular-aperture-welcomes-natural-light-within-gabled-tokyo-house-by-kias","status":"publish","type":"post","link":"http:\/\/www.macdolphins.org\/index.php\/2025\/10\/03\/circular-aperture-welcomes-natural-light-within-gabled-tokyo-house-by-kias\/","title":{"rendered":"circular aperture welcomes natural light within gabled tokyo house by KIAS"},"content":{"rendered":"

KIAS designs a residence within Zenpukuji Park’s greenery<\/h2>\n

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KIAS<\/a><\/strong>‘ House in Zenpukuji Park is located within the rich natural surroundings of the historical temple area in Suginami Ward, Tokyo<\/a><\/strong>. This residence<\/a><\/strong> began with the careful designing of living spaces opening towards the verdant landscape of the park. The ground floor houses a small art gallery open as a venue for young artists, while the owner’s living quarters occupy the upper floor. A 9-meter bench facing the park is positioned in front of the gallery, providing a social space for visitors and the local community.<\/p>\n

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all images by Norihito Yamauchi unless stated otherwise<\/p>\n

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a composition of richly layered spaces defines the house<\/h2>\n

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The living room on the upper floor features a circular window on its eastern side, welcoming the morning sun. Natural light casts a circular pattern on the floor, shifting throughout the day. The south-facing, horizontal window, reminiscent of traditional Japanese shoji screens, maximizes the incorporation of the park’s green scenery into the living space. Afternoon light illuminates the living spaces through a skylight set into the pitched roof. Furthermore, a tall, vertical window piercing the second-floor flooring brightens the vertical circulation space within the staircase connecting the upper and lower floors.<\/p>\n

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Studio<\/a><\/strong> KIAS’ design follows the sequence of space, windows, structure, and exterior finishes. This sequence inverts the hierarchy, prioritizing space over structure and creating a pleasing disjunction between exterior, structure, and space. The result is a dwelling formed by richly composed spaces.<\/p>\n<\/p>\n

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KIAS designs a residence within Zenpukuji Park\u2019s natural landscape<\/p>\n

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layers of window openings mediate the relationship with nature<\/p>\n

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a 9-meter bench extends toward the park, inviting community use | image by Nanako Ono<\/p>\n

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the house balances private living with a public-facing art gallery | image by Nanako Ono<\/p>\n

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circular window in the living room welcomes morning sunlight | image by Nanako Ono<\/p>\n

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living spaces are oriented to maximize connection with the park | image by Nanako Ono<\/p>\n

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large windows recall the rhythm of traditional shoji screens | image by Nanako Ono<\/p>\n

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glazing elements define the sequence of daily light transitions<\/p>\n

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project info:<\/strong><\/p>\n

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name:<\/strong>\u00a0House in Zenpukuji Park
\narchitect:<\/strong>\u00a0
KIAS<\/a> | @kias_studio<\/a><\/p>\n

structure:<\/strong> BSI<\/p>\n

contractor:<\/strong> Suiga<\/p>\n

location:<\/strong> Suginami, Tokyo, Japan<\/p>\n

area:<\/strong> 132.5 sqm<\/p>\n

photographers:<\/strong> Norihito Yamauchi<\/a>,\u00a0 Nanako Ono<\/a> | @nanakoono_<\/a><\/p>\n

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designboom has received this project from our\u00a0<\/i>DIY submissions<\/i><\/a>\u00a0feature, where we welcome our readers to submit their own work for publication. see more project submissions from our readers\u00a0<\/i>here.<\/i><\/a><\/p>\n

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edited by: christina vergopoulou | designboom<\/i><\/p>\n

The post circular aperture welcomes natural light within gabled tokyo house by KIAS<\/a> appeared first on designboom | architecture & design magazine<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

KIAS designs a residence within Zenpukuji Park’s greenery   KIAS‘ […]<\/p>\n","protected":false},"author":1,"featured_media":2913,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[12],"tags":[],"_links":{"self":[{"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/posts\/2911"}],"collection":[{"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/comments?post=2911"}],"version-history":[{"count":3,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/posts\/2911\/revisions"}],"predecessor-version":[{"id":2921,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/posts\/2911\/revisions\/2921"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/media\/2913"}],"wp:attachment":[{"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/media?parent=2911"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/categories?post=2911"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.macdolphins.org\/index.php\/wp-json\/wp\/v2\/tags?post=2911"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}